The Illusionist is a American romantic mystery film written and directed by Neil Burger and starring Edward Norton, Paul Giamatti, and Jessica Biel. It is based loosely on Steven Millhauser’s short story, “Eisenheim the Illusionist”. Stephen Millhauser: “Eisenheim the Illusionist” () In creative the course of this short story playlist: Mark Twain’s “Jumping Frog” story. The story “Eisenheim the Illusionist” takes place during the late nineteenth Just don’t watch the movie first, as you may find the short story.

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It was made into the film, The Illusionist in Return to Book Page. He doesn’t rush into his subject. I liked it very much, but, like a creative writing teacher, I wanted more showing, less telling.

Book vs. Movie: “Eisenheim the Illusionist”

Because this essay is partly a character analysis, showing how the protagonist changes over the course of the story, Ryan first establishes what Eisenheim is like at the beginning; wisenheim other words, this paragraph gives character background.

And it is exhilarating. He reacts by chasing her into the stables with a sword, in full view of the servants. There is no dialogue, direct or indirect, and no effort to inhabit the minds of the characters. Eisenheim, now including original illusions in his act, emerges at the forefront of magic. At this time, the art of magic prospered. With each man performing at the same venue, the Eisenheimhaus, the inevitable rivalry comes to a boiling point during what would become Passauer’s final performance.


The problem with this story, for me, is that I had already seen the movie, The Illusionist.

May 10, May 10, Imagine the giant horses. Unsourced material may be challenged and removed.

Just a moment while we sign you in to your Goodreads account. Eisenheim then proceedes to create a ball and ghe wand, each with the same unlikely characteristics as the box. The boy begins to drift more toward magic and illusion, practicing new talents and exercising old ones. Uhl storms the stage with his officers, but to the shock and horror of the audience, Eisenheim is revealed to be a spirit when Uhl’s hand passes through him.

We illusionst nothing of his past save for a legend about his meeting a conjurer as a young boy, his speech is syort direct and the nature of his illusions are never revealed. Leopold secretly attends one of them, during which Eisenheim summons the spirit of Sophie, who says that someone in the theater is her murderer.

Eisenheim the Illusionist

In the case of “Eisenheim the Illusionist,” he simply grows dark and ceases to be. Instead he uses the report format, which takes some of the dramatic kick out of what he tells.

Uhl has already informed the Emperor and the General Staff of Leopold’s conspiracy to seize the throne. The tone of the story has shifted none, and yet the reader who believably is reading an account of a magician is thrown a fantastical situation.


Retrieved 7 December Because these questions cannot really be resolved, Ryan ends on a question himself– a fitting conclusion to an analysis of this wonderfully ambigious story.

Open Preview See a Problem? Eisenheim was born to a cabinet-maker and became interested in magic after meeting a travelling magician. Now the story has shifted. The concept of what is “real” and what eisenbeim not has plagued and delighted man since the dawn of time.

Student Paper w/ Instructor Comments

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Symbolic Threats and Literal Perils. Leopold points a revolver at Uhl, threatening to kill him, but as officers of the imperial guard of the Austro-Hungarian Army arrive, Leopold shoots himself in the head.

Note the prompt is related to his theme and is NOT specifically about Illusioniat. He concludes that Sophie and Eisenheim staged her death so that she could be free of Leopold.

He is now incorporating the ideas of reality and illusion established in his title and intro into the analysis of Eisenheim’s character.