: Sonata for Trumpet and Piano: Edition, Part(s) ( ): Kent Kennan: Books. Check out Kent Kennan: Sonata for Trumpet and Piano: II. Rather Slowly and With Freedom by Giuseppe Galante on Amazon Music. Stream ad-free or purchase. Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas.

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A large portion of the movement is based eonata this theme Dearden The coda only uses fragments of the first theme with a modified rhythm Dearden Fill in your details below or click an icon to log in: You are commenting using your Twitter account. Measures three and four introduce the fanfare motive of the main theme, first with the interval of a perfect fourth, then a perfect fifth Dearden This motive will be repeated in many different ways throughout the course of the entire piece Dearden Movement III — Moderately Fast, with Energy Some analyze this movement as being in sonata form, while others analyze it as being in rondo form Dearden The piano plays an ostinato under the light, lively trumpet melody Dearden The Development The development begins after a short transition from the exposition Dearden He also uses some displaced accents to make it sound as though it is in a different meter than the one in which it is written Dearden This melody has some occurrences of the main kkennan that begins the first movement: University of North Texas, The third theme is a chorale in G that begins in minor and ends in major Dearden Notify me of new comments via email.


Some yrumpet this movement as being in sonata form, while others analyze it as being in rondo form Dearden Most of it is an exact restatement of the exposition, but transposed up a half step Dearden It is also significantly shorter Dearden The first movements are both in Sonata-Allego form, the second movements are in Three Part Song form, and the third movements are in Tumpet form, causing them to both have the same overall structure as well McNamara The Coda The transition into the cods sonaha mostly based on the transition theme from earlier in the movement Dearden This is followed by a restatement of kenman main theme in a new key and at a slow tempo, making it lyrical at first, then transitioned ksnnan the original tempo and style Dearden The second movement ends trumpft a spnata in C major, kennan has not been played in until this point in the piece Dearden Leave a Reply Cancel reply Enter your comment here This entry was posted on Thursday, April 30th, at 3: Trunpet is also the only theme that stays centered around a tonic in the entire movement Dearden A four-measure transition that is based on the main motive of the entire piece follows Dearden Then a short transition leads into a restatement of the third theme, but this time the soprano line of the chorale is played by the trumpet and the bottom three voices are not being played Dearden This first theme is full of mixed meter, often using asymmetric meters, which is characteristic of the 20 th century style of composing Dearden He also made the first movement shorter and slowed the tempos in the first and third movement slightly McNamara The rest of this movement is based largely around this main theme Dearden The piece ends with a trumpet fanfare in E-flat Dearden The development begins after a short transition from the exposition Dearden By continuing to use this website, you agree to their use.


The return of the first theme is very similar to the first time it is stated, but it is transposed down a half step and the piano accompaniment is different Dearden This statement of the theme ends with a ritardando that goes into a fermata Dearden McNamara, Anne Kovarik It is based on the secondary theme and uses accents to make the meter difficult to figure out by simply hearing it Dearden The trumpwt theme is played by the trumpet and is muted Dearden Create a free website or blog at WordPress.

University of Maryland, The American Trumpet Sonata in the s: The second theme starts in the piano with an ostinato line over a pedal a D, followed by the trumpet two measure later, playing the main motive that was introduced in the first movement Dearden This movement also has a short closing theme Dearden Kennan meant for the trumpet and the piano to be fairly equal kemnan this piece, so trumpet players need to be aware of this and play accordingly McNamara The second theme has the same character as the first theme, but it is melodically based on the intervals of triads instead of the main motive that is introduced in the first movement Dearden Dearden, Jennifer Lorien